ماهیت چندمعنایی نشانه‌های تصویری در آثار نگارگری ایرانی (بررسی موردی چهار اثر از شاهنامۀ طهماسبی موجود در موزۀ آقاخان)

Aghazadeh, M, (2018), Aesthetics and the Manifestation of Spirituality in Islamic- Iranian Art and Architecture with an Emphasis on Conceptual Symbols from the Perspective of Tourism, International Journal of Tourism and Spirituality, Vol.3, Issue 1, 26-56.

Bal, M; Bryson, N, (2014), Semiotics and art history, The art bulletin, Vol. 73, No. 2, 174-208.

Canby, sh, R, (2013), The death of Zahhak, www.agakhanmuseum.org, access date: 2019/08/22.

Derrida, Jacques, (1997), of Grammatology, translated by Gayatri chakravority spivak, john Hopkins university press.

Gerasimos, K, (2004), Jacques Derrida's Double Deconstructive reading: A Contradiction in Terms? Journal of the British society for phenomenology, vol. 35, no. 3, 283-292.

Leoni, Francesca, (June 2008), Department of Art and Archaeology, Princeton university, www.metmusume.org.

Ungureanu, C, (2013), Bourdieu and Derrida on gift: beyond ''double truth'' and paradox, university Pompeo Fabra, 1-27.

Walker, M, (2008), symmetry, science and shamanism: Towards a ''Theory of everything'', art and science, Mount Allison university, Canada, 27-55.

  Afarin, Farideh, (2011), The Challenge of Structure and Meaning: A Deconstructive Reading of the painting "Taking Yousef Out of the Well", Bagh-e Nazar, 8th year (16), 55-64. [In Persian].

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  Aghazadeh, M, (2018), Aesthetics and the Manifestation of Spirituality in Islamic- Iranian Art and Architecture with an Emphasis on Conceptual Symbols from the Perspective of Tourism, International Journal of Tourism and Spirituality, Vol.3, Issue 1, 26-56. [In Persian].

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  Ahmadi, Babak; (2017), From Visual Signs to Text, 16th Edition, Tehran: Markaz Publishing. [In Persian].

  Ahmadian Baghbadrani, Sedigheh, (1397), A study of three contemporary works of art with social content from the perspective of semiotics with the approach of the reproductive course of meaning, Bagh-e Nazar Monthly, Volume 69 (15), 67-76. [In Persian].

  Ahmadinia, Mohammad Javad, (2014), Shahnameh Tahmasebi drawings from Harvard to the Academy of Arts, Art Book Criticism Quarterly, first year (1 and 2), 37-54. [In Persian].

  Amid, Hassan, (1997), Amid Persian Culture, ninth edition, Tehran: Amirkabir Publications. [In Persian].

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  Bal, M; Bryson, N, (2014), Semiotics and art history, The art bulletin, Vol. 73, No. 2, 174-208.

  Canby, sh, R, (2013), The death of Zahhak, www.agakhanmuseum.org, access date: 2019/08/22.

  deh deh jani, javad; Zare Abarghavi, Ahmad, (1397), A study of stone shield motifs in the paintings of Shahnameh Baysanghari and Tahmasebi, Islamic Art Studies, Fourteenth Year (32), 132-145. [In Persian].

  Derrida, Jacques, (1997), of Grammatology, translated by Gayatri chakravority spivak, john Hopkins university press.

  Ebadi Jamil, Saeed; Rezaei Dast Arjneh, Mahmoud; Ghalekhani, Golnaz, (2017), A Study of Zahak's Myth Based on the Structure of Claude Strauss's Double Confrontations, New Literary Essays, Volume 49 (4), 67-92. [In Persian].

  Farhangi, Soheila; Bijari Dry Antiquity, Masoumeh, (2014), The Social Semiotics of Bioten's Novel, Literary Criticism, Vol 7 (25), 151-121. [In Persian].

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  Gerasimos, K, (2004), Jacques Derrida's Double Deconstructive reading: A Contradiction in Terms? Journal of the British society for phenomenology, vol. 35, no. 3, 283-292.

  Ghiasi, Neda; Mahmoudi, Fataneh, (2015), Deconstructing the Dual Interpretations of Hafez Poetry in the Painting of Sultan Mohammad Naghash, Literary Criticism, Vol 8 (32), 105-131. [In Persian].

  Hall, James, (2008), Dictionary of Symbols in East and West Art, translated by Roghayeh Behzadi, third edition, Contemporary Culture Publications.

  Lari, Maryam, (1397), intertextual reading and binary contrasts in the mural painting of Sardar Makoei Palace, Islamic Art Studies, Vol 14 (32), 41-54. [In Persian].

  Leoni, Francesca, (June 2008), Department of Art and Archaeology, Princeton university, www.metmusume.org.

  Mehdizadeh, Alireza, (2016), Analysis and reading of photographs based on analytical tools of semiotic approach, Art Research, sixth Vol (12), 75-90. [In Persian].

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  Mousavilar, Ashraf al-Sadat; Mesbah, Gita, (2011), Analysis of the structure of the narrative in Zahak's death drawing based on the action model of Grimas, Fine Arts - Visual Arts, Vol 3 (45), 23-33. [In Persian].

  Mousavilar, Ashraf al-Sadat; Pour Mahmoud, Sadaf, (1397), Derrida Theory of Confrontation in Visual Arts, First Edition, Tehran: Mehr Nowruz Publishing. [In Persian].

  Najafvand Drikundi, love; Vasegh, Behzad, (2009), Symbols and Symbols of Sacred Defense in Visual Arts and Architecture, Nagreh, Vol 14 (50), 125-149. [In Persian].

  Parsi, Masihai, (2012), Proceedings of the International Conference on the Thousandth Anniversary of the Ferdowsi Shahnameh, First Edition, Tehran Publishing: University Jihad. [In Persian].

  Rashidian, Abdolkarim, (2003), Derrida and Theory of Meaning in Husserl, Journal of Humanities, Volume 39 (4), 73-86. [In Persian].

  Religion, Fereshteh, (2017), A Study of the Importance of Semiotics (Semantic Significance), in Conceptual Photographs, Theoretical Foundations of Visual Arts, Volume 2 (2), 71-84. [In Persian].

  Rezvani, Firoozeh, (2013), A Study of the Concept of Indecision from Derrida's Perspective: A Reading of Alireza Espahbod's Paintings, Quarterly Journal of Art Chemistry, Second Year (9), 53-64. [In Persian].

  Sedighi, Behzad, (2009), Semiotics (a look at the book Fundamentals of Semiotics written by Daniel Chandler translated by Mehdi Parsa), Quarterly Performing Arts Quarterly, New Volume No. 67, 67. [In Persian].

  Shakarpour, Shahriar; Azhari, Fariba, (2009), The Role of Figures in the Narrative of Paintings a Case Study of Six Paintings from Tahmasebi Shahnameh, Letter of Visual and Applied Arts, Vol 12 (25), 101-121. [In Persian].

  Soleimani, Marzieh, (2010), Shadows of Myth in the Fields of Historiography, Book of the Month of History and Geography, (149), 68-73. [In Persian].

  Ungureanu, C, (2013), Bourdieu and Derrida on gift: beyond ''double truth'' and paradox, university Pompeo Fabra, 1-27.

  Walker, M, (2008), symmetry, science and shamanism: Towards a ''Theory of everything'', art and science, Mount Allison university, Canada, 27-55.