اثر هنری در مقام یک جور ساختار آگاهی:مقدمه‌ای پدیدارشناختی درباره چیستی امر هنری

Crowell, S. (2011). Phenomenology and aesthetics; or why art matters. In J. D. Parry (Ed.), art and phenomenology (pp. 31-53). New York: Routledge.

Heinamaa, S. (2003). toward a phenomenology of sexual difference:Husserl, Merleau-Ponty,Beauvoir. New York: Rowman & Littlefield Publishers.

Huserl, E. (1978). The Crisis of European Sciences and Transcendental Phenomenology: An Introduction to Phenomenological Philosophy. (D. Carr, Trans.) The Hague: Northwestern University Press.

Husserl, E. (1973). Experience and Judgment. (J. S. Ameriks, Trans.) London: Routledg & Kegan Paul.

Husserl, E. (2000). Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy: Second Book Studies in the Phenomenology of Constitution (Vol. 2). (A. S. Rojcewicz, Trans.) Dordrecht: Kluwer Academic Publishers.

Husserl, E. (2006). The Basic Problems of Phenomenology: From the Lectures, Winter Semester, 1910-1911. (I. F. Hart, Trans.) Dordrecht: Springer.

Husserl, E. (2008). On the Phenomenology of the Consciousness of Internal Time (1893–1917). (J. B. Brough, Trans.) Dordrecht, Kluwer Academic Publishers: Kluwer Accademic Publishers.

Maitland, J. (1975). identity ontology and works of art. southwestern journal of philosophy, 6, 186-96.

Malpas, J. (2011). objectivity and self-disclosedness:the phenomenological working of art. In J. D. Parry (Ed.), art and phenomenology (pp. 54-76). New York: Routledge.

Merleau-Ponty, M. (1964). eye and mind. In J. M. Edie (Ed.), the primacy of perception. evanstone: northe western university press.

Russell Keat, J. H. (1991). Understanding Phenomenology. Oxford: Basil blackwell.

Russon, J. (2003). Human Experience:Philosopy,Neurosis, and the Elements of Everyday Life. New York: State University of New York.

Sokolovski, R. (2000). Introduction to Phenomenology. cambrideg: Cambridge University Press.

Sokolowski, R. (2008). Phenomenology of the Human Person. United State of America: Cambridge University Press.

Vieira, M. B. (2009). Th e Elements of Representation in Hobbes:Aesthetics, Th eatre, Law, and Th eology in the Construction of Hobbes’s Th eory of the State. LEIDEN.Boston: Brill.

Vieira, M. B., & Runciman, D. (2008). Representation. Cambridge: Polity Press.

Wrathall, M. (2011). the phenomenological relevance of art. In J. D. Parry (Ed.), aert and phenomenology (pp. 9-30). New York: Routledge.

اَدرشورن, ن. (1391). آنسوی پیکر طبیعی: دیرین‌شناسی هورمون‌ها و جنسیت. (پ. قاسمیان, Trans.) تهران: شیراره.

اسمیت, د. و. (1393). دانشنامه فلسفی استنفورد:پدیدارشناسی. (م. علیا, مترجم) تهران: ققنوس.

افلاطون. (1383). جمهوری (نسخه سوم). (م. ح. لطفی, مترجم) تهران: شرکت سهامی(خاص) انتارات خوارزمی.

زهاوی, د. (1392). پدیدارشناسی هوسرل. (م. ص. واقفی, مترجم) تهران: روزبهان.

هایدگر, م. (1389). منشاء اثر هنری. In م. هایدگر, شعر،زبان و اندیشه رهایی (د. ع. منوچهری, Trans., pp. 103-186). تهران: انتشارات مولا.