واکاوی مفهوم آلوده‌انگاری در سینمای دیوید کراننبرگ با تأکید بر شخصیت‌های زن بر اساس آرای ژولیا کریستوا

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FathTaheri, A., & Parsa, M. (2012). A Study of The Concept of Semiotic Chora with a Reference to Plato's Timaeus [Barrasi-ye mafhūm-e chora dar andīshe-ye Kristevā bā nazar be resāleh-ye Timāyūs-eAflāṭūn]. Wisdom and Philosophy, 8, 79–92. https://doi.org/10.22054/wph.2012.5838 (In Persian)

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Nabizadeh Nodehi, R., & Ahmadzadeh, Sh. (2019). Abjection, the confrontation with the impure, and the formation of masculine identity in Shakespeare’s Hamlet from Kristeva’s viewpoint [Ālūde-angārī, rūyā-ruyī bā amr-e ālūde va takvīn-e hoviyyat-e mardāneh dar namāyeshnāmeh-ye Hāmlat az didgāh-e Kristevā]. Journal of Foreign Language Literature Criticism, 17(24), 307–326. https://doi.org/10.29252/clls.17.24.307 )in Persian)

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Salimi Koochi, E., & Sokoot Jahromi, F. (2014). Applying Kristeva’s theory of abjection to Forough Farrokhzad’s poem “I Feel Sorry for the Garden” [Karbast-e nazariye-ye âludegi-anjâri-ye Kristeva bar she’r-e “Delam barâye bâghche misuzad”]. Journal of Linguistic Inquiry, 5(1), 99–116. http://lrr.modares.ac.ir/article-14-1030-fa.html )in Persian)

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