تعداد نشریات | 161 |
تعداد شمارهها | 6,532 |
تعداد مقالات | 70,504 |
تعداد مشاهده مقاله | 124,122,535 |
تعداد دریافت فایل اصل مقاله | 97,230,528 |
اقتباس پسااستعماری، تقلید یا بومیسازی؟تجلی مرگ فروشنده اثر میلر در فیلم فروشندۀ فرهادی | ||
پژوهش ادبیات معاصر جهان | ||
دوره 26، شماره 2، بهمن 1400، صفحه 454-485 اصل مقاله (899.26 K) | ||
نوع مقاله: مقاله علمی پژوهشی | ||
شناسه دیجیتال (DOI): 10.22059/jor.2021.303469.1994 | ||
نویسندگان | ||
سیما زعفرانچی1؛ عذرا قندهاریون* 2؛ علی بهداد3 | ||
1کارشناس ارشد زبان و ادبیات انگلیسی، دانشگاه فردوسی مشهد، مشهد، ایران | ||
2دانشیار ادبیات انگلیسی و مطالعات فرهنگی، دانشگاه فردوسی مشهد، مشهد، ایران | ||
3استاد ادبیات انگلیسی و ادبیات تطبیقی دانشگاه کالیفرنیا، لس آنجلس، آمریکا | ||
چکیده | ||
در تاریخ سینمای ایران فیلمهای اقتباسی متفاوتی تولید شده است. ارتباط بین فیلم فروشندۀ اصغر فرهادی (1395)، به عنوان اقتباسی از مرگ فروشنده اثر آرتور میلر(1949) با نقدهای متفاوتی در ایران و غرب روبه رو شد. یافتن علت تنش بین گفتمانهایی که فیلم را نقد و بررسی کردهاند، هدف اصلی نگارش این مقاله است. با رویکردی پسااستعماری، بالاخص با عنایت به نظرات هومی بابا ( - 1949)، اثر فرهادی را در جهت روشن کردن رابطۀ میان غرب و شرق در سینمای ایران بررسی میکنیم. در این پژوهش، اقتباس فرهادی به عنوان تقلیدی از مرگ فروشندۀ میلر در نظر گرفته میشود؛ با مطالعۀ دقیق متن نمایشنامه و فیلم فرهادی، این نتیجه حاصل میشود که اقتباس فرهادی صرفاً تقلیدی هومی بابایی از یک نمایشنامۀ آمریکایی نیست و بین مفاهیم بومی سازی و فضای سوم، شناور است. عناصر فرهنگی و اجتماعی غربی و ایرانی در این فیلم به گونهای در کنار هم قرار گرفتهاند که هم برای مخاطب ایرانی ملموس باشد و هم برای بییندۀ غربی تداعی کنندۀ مرگ فروشنده باشد. | ||
کلیدواژهها | ||
اقتباس؛ فروشندۀ فرهادی؛ مرگ فروشندۀ میلر؛ تقلید؛ بومی سازی؛ فضای سوم | ||
سایر فایل های مرتبط با مقاله
|
||
مراجع | ||
Abbotson, Susan. Critical Companion to Arthur Miller. New York: Facts on File, 2007. Abtahi, Mohammad Ali. “Kash Jayzeye Farhadi Siyasi Bashad” 2016, https://www.pishkhan.com/news/5628, Accessed 6 Sep. 2017/1396. Alte. “Poor Adaptation”. 24 March 2017. Accessed http://www.metacritic.com/movie/the-salesman, Accessed 18 Nov. 2020. Anoushirvani, Alireza. “Seyre Tahavolate Nazari Adabiyate Tatbighi”. Adabiyate Tatbighi, vol. 6, no. 2 (2012/1391): 3-7. Ashcroft, Bill, and Gareth Griffiths. Post-Colonial Studies: The Key Concepts. 2nd ed., London and New York: Routledg, 2007. Atashi, Laleh and Alireza Anoushirvani. “Adabiyat Va Naghashi: Naghashihaye Romantic Blake Az Hemaseye Milton”. Adabiyate Tatbighi, vol. 4, no. 2( 2011/1390):100-120. Babasalari, Ardalan. Hamkoneshie Sinama Va Adabiyat Dar Filme Foroushande Asghar Farhadi Va Namayeshname Marge Foroushande Arthur Miller. Master Thesis, Alame Tabatabaie University, 2018/1397. Baharlou, Abbas. “Tarikhcheye Eghtebase Adabi Dar Sinamaye Iran”. Farabi, vol. 64, no. 2 (2009/1388): 16-29. Baker, Christopher. The Hybrid Church in the City Third Space Thinking. Ashgate, 2007. Bhabha, Homi. K. “Dissemination: Time, Narrative, and the Margins of the Modern Nation”. Homi K. Bhabha (Ed.), Nation and Narration. London and New York: Routledg, 1990. Bhabha, Homi. K. The Location of Culture. London and New York: Routledge, 2004. Bigsby, Christopher. The Cambridge Companion to Arthur Miller. New York: Cambridge University Press, 2010. Cornell, Per. “Unhomely Space: Confronting Badiou and Bhabha”. Encounters, Materialities, Confrontations: Archaeologies Of Social Space And Interaction. Edited by Per. Cornell and Fredrik. Fahlander , London: Cambridge Scholars Press, 2007. Dadvar, Ilmira, and Hamidreza Rahmatjou. “Gozar Az Ghesei Ostourei Be Khaneshi Filmik; Yek Barresi Tatbighi”. Farhang va Adabe Farsi, vol. 8, no. 1(2013/ 1392): 7-20. “Eighty-Ninth Academy Award, The”. Michael De Luca and Jennifer Todd (Producer), 2017. Fahlander, Fredrik. “Third Space Encounters: Hybridity, Mimicry and Interstitial Practice”. Encounters , Materialities, Confrontations Archaeologies of Social Space And Interaction. Edited by Per. Cornell and Fredrik Fahlander . Cambridge: Cambridge Scholars Press, 2007. Farhadi, Asghar. (Screenwriter and Director). Foroushande. Alexandre Mallet Guy and Asghar Farhadi. (Producer). Iran: Momento Films (France) Filmiran (Iran), 2015/1394. Farhadi, Asghar. “Akhlagh, Zanan, Shahab Hosseini va Billy Wilder!”. Interviewed by Roger site, Ibert. Donyaye Tasvir Honar online, 2016/1395. Frenkel, Michal. “The Multinational Corporation as a Third Space: Rethinking International Management Discourse on Knowledge Transfer Through Homi Bhabha”. Academy of Management Review, vol. 33, no. 4 (2008): 924-942. Friedman, Susan. Stanford. “Unthinking Manifest Destiny: Muslim Modernities on Three Continents”. Shades of the Planet American Literature as Wold Literarture. Edited by Dimock Wai Chee, and Lawrence Buell, Princeton and Oxford: Princeton University Press, 2007. Ghasemipour, Erfan. Gozare Hoviyat, Farhang Va Matn Dar Marge Foroushande Arthur Miller Va Froushande Asghar Farhadi. Master Thesis, University of Kordestan, 2018/ 1397. Ghasemkhan, Alireza. “Yaddashti Bar Khastgahe Namayeshi Foroushande Arthur Miller, Asghar Farhadi Va Gaave Mash Hasan”. 2016. Accessed https://theater.ir/fa/63579 , Accessed 8 Oct. 2020/ 1395. Goodykoontz, Bill. “Must-see ‘The Salesman Makes for Urgent Viewing.”, 02 Feb.2017, http://www.azcentral.com/story/entertainment/movies/billgoodykoontz/ 2017/02/02/the-salesman-movie-review-asghar-farhadi-trump-ban/97338118/ Accessed 06 Sep. 2017. Gray, Mel, and John Coates. “Indigenization and Knowledge Development: Extending the Debate”. International Social Work, 53. 5 (2010): 613-627. Huddart, David. Homi K. Bhabha. London and New York: Routledge, 2006. Hutcheon, Linda, and Siobhan O’Flynn. A Theory of Adaptation. 2 ed., London, New York: Routledge, 2013. Karimi, Leila. “Aya Oscare Farhadi Siyasi Bud?”. 2016. Accessed http://bit.ly/2Mi6usX, Accessed 6 Sep. 2017/1396. Khoshkhou, Arash. “Naghshehaye Jangi Asghar Farhadi Alayhe Tamashagarane Binava: Darbareye In Ke Chera Foroushande Ra Mitavan Doust Nadast Ama Setayesh Kard”. Mehrname, vol. 49. no. 8 (2016/ 1395): 171. Lane, Anthony. “‘The Salesman’ and ‘Split’“. 30 Jan .2017. https://www.newyorker.com/magazine/2017/01/30/the-salesman-and-split Accessed 05 Sep. 2017. Letafati, Roya. “Zabane Adabiyat, Zabane Sinama: Moghabeleye Matne Dastane Novin Mouchette Va Filme Mouchette”. Research in Contemporary World Literature [Pazhuhesh-e Zabanha-ye Khareji] , vol. 11, no. 31 (Winter and Spring 2006/1385): 95-107. Mahdavi, Saeed. “Foroushande Che Foroukht Ta Oscar begirad?”. 2016. Accessed http://bit.ly/2SemvEg, Accessed 3 Sep. 2017/ 1396. Mahmoudi, Shahou. “Foroushande Chegoune Marge Froushande Ra Sansor Mikonad?”. 2016. Accessed https://problematicaa.com/death-of-salesman, Accessed 8 Sep. 2017/ 1396. Miller, Arthur. Marge Foroushande. Translated by Ataollah Nourian. Tehran: Nashre Ghatre. 2003/1382. Mir-Ehsan, Ahmad. “Tematic Ya Static: Nesbate Dram, Tafakor Va Ejtemae Irani Dar Sinamaye Farhadi”. Merhrname, vol 49, no. 8 (2016/1395): 166-169. Mir-Ehsan, Ahmad. “Diktatori Neshanehaye Gosast Va Namadhaye Modakhele: Morouri Bar Filme Foroushande Va Fazaye Ejtemaei Pish Amade Darbareye Aan”. Tajrobe, vol. 123, no. 8 (2016/1395): 86-90. Mirzaei, Yasaman. Motaleye Tatbighi Namayeshname Marge Foroushande Arthur Miller Va Filme Eghtebasi Foroushande Asghar Farhadi. Master Thesis, Khalije Fars University, 2016/ 1395. Moradi Kouchi, Shahnaz. “Barresie Tatbighi Shakhestarin Eghtebas Haye Adabi Sinamaye Iran”. Farabi, vol.64, no. 2 (2009/1388): 30-76. Naficy, Hamid. A Social History of Iranian Cinema. Vol. 2, New York: Duke University Press, 2011. Nikounazar, Karim. “Tarikh-e Zaval”. Mehrname, vol.49, no. 8 (2016/1395): 160 “Noskheye Gharbi Baraye Shik Shodan”. Accessed https://rasekhoon.net/article/show/751577/, Accessed 11 Sep. 2017/1396. Parastesh, Shahram. “Revayate Biganeh: Asghar Farhadi az Viraneha Migouyad”. Mehrname, vol. 49, no.8 (2016/1395): 163-165. Perera, Nihal. “Indigenising the Colonial City: Late 19th-Century Colombo and its Landscape”. Urban Studies, 39.9 (2002): 1703-1721. Ponzanesi, Sandra. The Postcolonial Cultural Industry: Icons, Markets, Mythologies. London: Palgrave Macmillan, 2014. Rainer, Peter. “The Salesman Isn’t Director Asghar Farhadi’s Best But Offers Glints of What Often Makes Him One of Best Directors Around”, Oct. 2017, Accessed https://www.csmonitor.com/The-Culture/Movies/2017/0127/The-Salesman-isn-t-director-Asghar-Farhadi-s-best-but-offers-glints-of-what-often-makes-him-one-of-best-directors-around. Accessed 11 Sep. 2020/1399. Razavi Ganji, Monire sadat. Vafadarie Efrati Khatarnak Ast: Motaleeye Tatbighie Filme Froushande Sakhteye Asghar Farhadi Va Namayeshnameye Marge Foroushande Be Ghalame Arthur Miller. Master Thesis, University of Shahid Madani Azarbayjan, 2019/1398. Ridouani, Driss. “The Representation of Arabs and Muslims in Western Media”. Ruta: Revista Universitària De Treballs Acadèmics, vol.3 (2011): 1-8. Saba, Maria. “Gholamhossein Saedi: Tennessee Williamse Iran”. 2009. Accessed http://mariasabaye.blogspot.com/2009/12/blog-post.html, Accessed 8 Nov. 2020/ 1399. Said, Edward. The World, the Text, and the Critic. Cambridge: Harvard University Press, 1983. Sanati, Mohammad. “Eshgh Hamishe Ghayeb Ast”. Mehrname, vol 49, no. 8 (2016/ 1395): 160-162. Scott, Anthony Oliver. “‘The Salesman’, Scenes from a Marriage in Tehran”. Jan. 2017, Accessed https://www.nytimes.com/2017/01/26/movies/the-salesman-review-asghar-farhadi.html. Accessed 11 Sep. 2017/1396. Shakibi, Mohammad. “Kash An Sili Ra Nemizadi Emad!”. 2016. /Mahnameye Sinamayi Film. Accessed https://www.film-magazine.com/reviews/iran/1187/, Accessed 11 Oct. 2020/ 1399. Shayan Fard, Kambiz. “Alafhaye Harz, Tarak Ha Ra Baztar Mikonad”. 2017. Accessed http://bit.ly/2EGVeSM, Accessed 9 Sep. 2017/ 1396. Spalding, Peter. Death of a Salesman by Arthur Miller. New York: Macmillan Education, 1987. Talattof, Kamran. Modernity, Sexuality, and Ideology in Iran: The Life and Legacy of a Popular Female Artist. Syracuse, New York: Syracuse University Press, 2011. Talebinezhad, Ahmad. “Ziyafate Bozorgan: Kafka, Saedi, Mehrjouyi Va Farhadi Dar Foroushande” . Tajrobe, vol. 123, no. 8 (2016/1395): 84-85. Tapper, Richard. “Introduction”. The New Iranian Cinema: Politics, Representation and Identity. Edited by Richard Tapper, London, New York: I.B.Tauris & Co Ltd, 2002. Tehrani, Mahdi. “Froushande, Khoni taze baraye sinamaye Iran”. 2016. Accessed https://www.khabaronline.ir/news/611808, Accessed 8 Sep. 2017/ 1396. Toosi, Javad. “Tanhayi Va Parishani Va Gosaste Mehtoume Yet Tabaghe: Farhadi Ba Negahi Talkh Be Tebegheye Motevaset Minegarad”. Mehrname, vol.49, no. 8 (2016/ 1395): 170. Varberg, Jeanette. “Dawn of a New Age: The Late Neolithic as Third Space”. Encounters, Materialities, Confrontations Archaeologies of Social Space and Interaction. Edited by Per. Cornell, and Fredrik Fahlander, London: Cambridge Scolars Press, 2007. Wilkins, Karin Gwinn. “Middle Eastern Women in Western Eyes: A Study of U.S. Press Photographs of Middle Eastern Women”. The U.S. Media and the Middle East. Edited by Yahya R. Kamalipour, New York: Praeger Publisher, 1995. Yazdani Khoram, Mehdi. “Az Goor Barkhaste”. Tajrobe, vol.123, no. 8 (2016/1395): 91-92. Zadmehr, Mohammad. “Oscar, siyasat va digar hich…”. 2017. Accessed https://www.salamcinama.ir/post/4Yo6/, Accessed 6 Sep. 2017/1396. Zand, Fatemeh, et al. “Tarjome; Eghtebase Sinamayi Az Romane Alice Dar Sarzamine Ajayeb”. [“Translation: A Kind of Adaptation (A Case study: Burton’s Movie Adaptation of Alice in Wonderland Novel)”]. [Research in Contemporary World Literature [Pazhuhesh-e Zabanha-ye Khareji], vol.25, no. 1 (Summer and Autumn 2020/1399): 159-182. | ||
آمار تعداد مشاهده مقاله: 1,263 تعداد دریافت فایل اصل مقاله: 511 |