الگویی کاربردی برای تفسیر در نوازندگی موسیقی کلاسیک( علمی- پژوهشی)

Berthoz, Alain (2000), The Brain's Sense of Movement, Translated by Giselle Weiss, Harvard University Press, Cambridge, MA

Brown, Clive (2004), Classical and Romantic Performing Practice 1750-1900, Oxford University Press, Oxford, New York

 

Brown, Howard Meyer (1990), Performance Practice, The New Grove Handbooks in Music, edited by Howard Meyer Brown and Stanley Sadie, W.W. Norton, New York, London

Burkholder, Peter J. and Donald J. Grout and Claude V. Palisca (2009), A History of Western Music, 8^th Edition, W.W. Norton, New York, London

 

Clarke, Eric (2002), Understanding the psychology of performance in Musical Performance: A Guide to Understanding, edited by John Rink, pp.59-74, Cambridge University Press, Cambridge

Donnington, Robert (1982), Baroque Music, Style and Performance: A Handbook, W.W. Norton, New York, London

Godoy, Rolf Inge (2009), Musical Gestures: Sound, Movement, and Meaning, Routledge, Milton Park

Lawson, Colin and Robin Stowell (1999), The Historical Performance of Music, Cambridge University Press, Cambridge

Lerdahl, Fred and Ray Jackendoff (1996), A Generative Theory of Tonal Music, The MIT Press, Cambridge, MA

 

Meyer, Leonard B. (1956) Emotion and Meaning in Music, University of Chicago Press, Chicago, London 

Narmour, Eugene (1990), The Analysis and Cognition of Basic Melodic Structures, The Implication-Realization Model,  University of Chicago Press, Chicago, London 

 

Nattiez, Jean Jaques (1990), Music and Discourse, Toward a Semiology of Music, Translated by Carolyn Abatte, Princeton University Press, Princeton, NJ

 

Pierce, Alexandra (2010), Deepening Musical Performance through Movement, Indiana University Press, Bloomington

Rink, John (2002), Analysis and (or?) performance in Musical Performance: A Guide to Understanding, edited by John Rink, pp.35-58, Cambridge University Press, Cambridge

 

Schenker, Heinrich (2000),The Art of Performance, edited by Heribert Esser, translated by Irene Schreier, Oxford University Press, Oxford, New York

Sloboda, John (1985), The Musical Mind, The Cognitive Psychology of Music, Oxford University Press, Oxford, New York

 

موحد، آذین (1392)  اصول زیبایی شناسی در نوازندگی موتزارت، نشریه ی هنرهای زیبا- هنرهای نمایشی و موسیقی دوره 18 شماره 2 پاییز و زمستان 1392 ص31-40

موحد، آذین (1395)  پارامترهای سمعی در آموزش نوازندگی فلوت، نشریه ی هنرهای زیبا - هنرهای نمایشی و موسیقی دوره 21 شماره 2 پاییز و زمستان 1395 ص53-62