مطالعۀ تطبیقی و چگونگی فرایند تبدیل میزانسن نمایش‏ رادیویی باینورال به سورند با رویکرد فنی

Dummy Head KU100 (2014). http://www.neumann.com/ ?lang=en&id=current_microphones@cid=u100_description.

Aro, Eero (2007). Surrond Sound in Radio Drama, ILLUSIONS IN SOUND-AES 22nd UK Conference,pp x-1 - x-7.

Hancock, Terry (2011). Understanding Surround and Binaural Sound. 04 11. http://fsmsh.com/3536.

Hand, J. Richard and Traynor, Mary (2011). The Radio Drama Handbook, Continuum International Publishing Group, United State.

Paul, Stephan (2009). Binaural Recording Technology: A Historical Review and Possible Future Developments, ACTA ACUSTICA UNITED WITH ACUSTICA , 95: 767-788.

Pure Stereo(2010). Accessed 2014. www.princeton.edu/3D3A.

The Free Space Pro II- Binaural Microphone(2014). http://3diosound.com/index.php?main_page=product_info&cPath=33&products_id=47.

The Interrogation Chamber-Amazing Binaural 3D Sound (2011). Accessed 2015. www.youtube.com/watch?v=u163wC6mP2A.

Wanderley, Fabio and Sousa, Janhan (2011).The Development of a Virtual Studio for monitoring Ambisonic based multichannel loudspeaker arrays through headphones, A Thessis for the degree of Master of Ar, University of York, UK.