تأثیرات مکتب منهایم بر دو سونات پیانویی K. 309 و K.311 اثر موتزارت

Abert, Hermann (2007), W.A. Mozart, Yale University Press, Yale.

Begbie, Jeremy (2007), Resounding Truth: Christian Wisdom in the World of Music, Baker Academic, Michigan.

Carter, Tim and Levi, Erik (2003), the History of Orchestra, TheCambridge Companion to the Orchestra, Edited by: Collin Lawson, Cambridge University Press, Cambridge.

Irving, John (1997), Mozart`s Piano sonatas, the University of Cambridge, New York.

Irving, John (2010), Understanding of Mozart`s Piano sonatas, the University of Cambridge, New York.

Krones, Hartmut (1983), Vokale Und Allgemeine Aufführungs Praxis, Robert Schollum, Vienna.

Levin, Robert D (2003), Mozart’s Solo Keyboard Music, Eighteenth-Century Keyboard Music, Edited by: Robert Lewis Marshal, Routledge, New York.

Marks, F. Helena (1921), the Sonata, Its Form and Meaning as Exemplified in the Piano Sonatas by Mozart, Reeves, London.

Mersmann, Hans (1972), Letters of Wolfgang Amadeus Mozart, Dover Publication, New York.

Randel, Don Michael (2003), The Harvard Dictionary of music, Harvard University Press, Cambridge.

Walls, Peter (2012), Mozart`s Mannheim and Paris Sonata for keyboard and Violi, Edited by: Martin Harlow, Cambridge University Press, New York.