ظهور بدن‌های دورگه بر صحنه واقعیتِ ترکیبی

• Barbaras, R. (2004). The being of the phenomenon: Merleau-Ponty's ontology. Indiana University Press.

• Benford, S., & Giannachi, G. (2011). Performing mixed reality. MIT press.

• Carmen, Taylor (2011). Merleau-Ponty [Merloponti] (Masoud Oliya, Trans.). Ghoghnous. (Original work published 2008) (in Persian).

• Carroll, J., Jürs-Munby, K., & Giles, S. (2021). Postdramatic Theatre and the Political [Teatr-e post-dramatik va amr-e siyasi] (Narges Yazdi, Trans.). Nimaj. (Original work published 2013) (in Persian)

• Cornish, M. (2010). Chat Room. PAJ: A Journal of Performance and Art, 32(1), 45-52. https://www.jstor.org/stable/20627956

• Costanza, E., Kunz, A., & Fjeld, M. (2009). Mixed reality: A survey. In Human machine interaction: Research results of the MMI program (pp. 47-68). Berlin, Heidelberg: Springer Berlin Heidelberg.

• Dixon, S. (2007). Digital performance: a history of new media in theater, dance, performance art, and installation. MIT press.

• Dreysse, M., & Malzacher, F. Experts of the Everyday: The Theatre of Rimini Protokoll, trans. Daniel Belasco Rogers et al.(Berlin: Alexander, 2008).

• Expander film. (2013). Documentation based on four Audio tours by Rimini Protokoll [Video]. Vimeo. https://vimeo.com/203111473

• Fischer-Lichte, Erika (2018). The Routledge Introduction to Theatre and Performance Studies [Taramad-e ratlej bar motale'at-e teatr va ejra]. (Shirib Bozorgmehr and Sahar Meshqinghalam, Trans.). Art University Publisher. (Original work published 2014) (in Persian).

• Giannachi, G. (2004). Virtual theatres: an introduction. Routledge.

• Hansen, M. B. (2012). Bodies in code: Interfaces with digital media. Routledge.

• Hansen, Mark B.N. (2023). The Embryology of the (In)visible ]Royanshenasi-ye amr-e didar (na)pazir)[. In Taylor Carmen and Mark B.N Hansen (Eds.), The Cambridge Companion to Merleau-Ponty (pp. 353-402) (Haniye Yaseri, Trans.). Ghoghnoos. (Original work published 2005) (in Persian).

• Ihde, D. (2002). Bodies in technology (Vol. 5). U of Minnesota Press.

• Ihde, Don (2021). The Experience Of Technology: Human-Machine Relations.[] [Tajrobe-ye fanavari: monasebat-e ensan va mashin] (Saleh Najafi, Trans.). Jouranal of Bazkhord, 4(20), 67-80. https://bazkhord.org/2640/ideas (Original work published 1974) (in Persian).

• ISNA. (2018, January). 100 minutes of Germans marching in Tehran ]100 daghighe rahpeymaayi-ye Almani-ha dar Tehran[. https://www.isna.ir/news/96103016401/

• Kozel, S. (2007). Closer: performance, technologies, phenomenology. The MIT Press. • Kolesch, D. (2019). Immersion and spectatorship at the interface of theatre, media tech and daily life: An introduction. In Staging Spectators in Immersive Performances (pp. 1-18). Routledge.

• Lehmann, H. T., & Jürs-Munby, K. (2006). Postdramatic theatre. Routledge. • Machon, J. (2019). Audience Improvisation and Immersive Experiences: The Sensuous World of the Body in the Work of Lundahl & Seitl, in The Oxford handbook of improvisation in dance. Oxford University Press.

• Malzacher, F. (2010). The scripted realities of Rimini Protokoll. In Dramaturgy of the Real on the World Stage (pp. 80-87). London: Palgrave Macmillan UK.

• Merleau-Ponty, M. (1968). The visible and the invisible: Followed by working notes. Northwestern University Press. • Merleau-Ponty, Maurice (2024). Phenomenology of Perception ]Padidarshenasi-ye edrak[ (Masoush Oliya, Trans.). Ney. (Original work published 1945) (in Persian).

• Milgram, P., & Kishino, F. (1994). A taxonomy of mixed reality visual displays. IEICE Transactions on Information and Systems, 77(12), 1321-1329. https://www.researchgate.net/publication/231514051_A_Taxonomy_of_Mixed_Reality_Visual_Displays

• Parker-Starbuck, J. (2011). Cyborg theatre: Corporeal/technological intersections in multimedia. Palgrave Macmillan. • Pavis, P. (2016). The Routledge dictionary of performance and contemporary theatre. Routledge.

• Pons, E. B. (2016). Outdoors: A Rimini Protokoll Theatre-Maze. Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance, 119-127.

• Rashidian, Abdolkarim (2020). Husserl’s in the context of his works. Ney. (in Persian) • Rimini Protokoll: “There’s not such a big difference between us and the audience”, (29.09.2020). rimini-protokoll. https://www.rimini-protokoll.de/website/en/text/rimini-protokoll-there-s-not-such-a-big-difference-between-us-and-the-audience

• Sedgman, K. (2017). Audience experience in Rimini Protokoll’s Outdoors. Studies in Theatre and Performance, 37(3), 350–364. https://doi.org/10.1080/14682761.2017.1329124

• Sheydani, M. (2023, September). Theatre of the documents of everyday: Studying documentation strategies in Rimini Protokoll’s city performances via their official website. Paper presented at RE:SOURCE – The 10th International Conference on the Histories of Media Art, Science and Technology, Venice, Italy.

• Welton, D. (2006). Body and machines. Postphenomenology: A critical companion to Ihde, 197-209.

• Yazdi, N; Fadayi, M., & Shayeganfar, N (2023). Exploring the Concept of Liveness in Performance Studies from the Perspective of Peggy Phelan and Philip Auslander [Vakavi mafhoome zende boodan dar motaleate ejra az manzar Peggy Phelan va Philip Auslander]. Scientific Journal of Motaleate-e Tatbighi-e Honar, 13 (25), 31-42. https://doi.org/10.61186/mth.13.25.31 (in Persian)

• Yazdi, N; Fadayi, M., & Shayeganfar, N (2023). Exploring the Concept of Liveness in Digital and Intermedial Performances Focusing on the Selected Works of Blast Theory [Vakavi mafhoome zende boodan dar ejrahaye digital va beinresaneyi ba tamarkoz bar gozideyi az asare Blast Theory]. Theatre Scientific Quarterly, 10(2), 29-43. https://doi.org/10.22034/theater.2023.185757 (in Persian)

• Zahavi, Dan (2021). Husserl's phenomenology [Padidarshenasi-ye husserl] (Mehdi Sahebkar and Iman Vaghefi, Trans.). Rouzbehan. (Original work published 1997) (in Persian). •

آیدی، دُن (1400). تجربه فناوری: مناسبات انسان و ماشین (صالح نجفی، مترجم). مجله بازخورد، 4(20)، 67 -80. (چاپ اثر اصلی 1974) https://bazkhord.org/2640/ideas •

• کارمن، تیلور (1390). مرلوپونتی (مسعود علیا، مترجم). نشر ققنوس. (چاپ اثر اصلی 2008)

• زهاوی، دان (1400). پدیدارشناسی هوسرل (چاپ چهارم (مهدی صاحبکار و ایمان واقفی، مترجم). نشر روزبهان. (چاپ اثر اصلی 1997) • رشیدیان، عبدالکریم (1399). هوسرل در متن آثارش. نشر نی. چاپ پنجم.

• کرل، جروم؛ یورس- مونبی، کارن و جایلز، استیو (1400). تئاتر پست‌دراماتیک و امر سیاسی (نرگس یزدی، مترجم). نشر نیماژ. (چاپ اثر اصلی 2013)

• مرلوپونتی، موریس (1403). پدیدارشناسی ادراک (مسعود علیا، مترجم). نشر نی. (چاپ اثر اصلی 1945)

• یزدی، نرگس؛ فدائی، مجید و شایگان‌فر، نادر (1402). واکاوی مفهوم زنده‌بودن در اجراهای دیجیتال و بینارسانه‌ای با تمرکز بر گزیده‌ای از آثار بلست ثیری. فصلنامه علمی تئاتر، 10(2)، 29-43. https://doi.org/10.22034/theater.2023.185757

• یزدی، نرگس؛ فدائی، مجید و شایگان‌فر، نادر (1402). واکاوی مفهوم زنده بودن در مطالعات اجرا از منظر پگی فلن و فلیپ اسلندر، دو فصلنامه علمی مطالعات تطبیقی هنر، 13(25)، 31-42. https://doi.org/10.61186/mth.13.25.31

• هنسن، مارک بی.ان (1402). رویان‌شناسی امر دیدار(نا)پذیر (چاپ سوم (هانیه یاسری، مترجم؛ تی. کارمن و مارک بی.ان هنسن، زیر نظر)، (صص. 353-402). نشر ققنوس. (چاپ اثر اصلی 2005)

• ایسنا (بهمن 1396). 100 دقیقه راهپیمایی آلمانی‌ها در تهران.

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