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خوانش فمینیسم درهم تنیدگی و روایتگری نئوبردگی در سووشون سیمین دانشور و دلبند تونی موریسون | ||
پژوهش ادبیات معاصر جهان | ||
دوره 30، شماره 1، فروردین 1404، صفحه 183-215 اصل مقاله (874.5 K) | ||
نوع مقاله: مقاله علمی پژوهشی | ||
شناسه دیجیتال (DOI): 10.22059/jor.2024.361845.2440 | ||
نویسندگان | ||
آزاده مهرپویان* 1؛ الهه سادات ذاکری2 | ||
1گروه زبان وادبیات انگلیسی، دانشکده زبان های خارجی، دانشگاه ولایت، ایرانشهر، ایران | ||
2گروه زبان انگلیسی، دانشکده هنر، دانشگاه بریتیش کلمبیا، ونکوور، کانادا | ||
چکیده | ||
این مقاله به بررسی گفتمان فمینیسم درهم تنیدگی و روایتهای نئوبرده از طریق بازگویی تجارب زنان میپردازد و اینکه چگونه با روایتهای نئوبردگی مواجه و بازنگری صورت میگیرد. پژوهش حاضر به بررسی شخصیت پردازی و ویژگیهای شخصیتهای زن اصلی اما در حاشیه جامعه مطرح می شود و جای دارد، رمانهای سووشون سیمین دانشور و دلبندِ تونی موریسون میپردازد. این رمان نویسان زن، دردها و رنجهای تبعیض و ظلم را در جامعه مردسالاری به شکل جدیدی از بندگی و بردگی زنان درجامعه امروزی به تصویر میکشند. پژوهش حاضر، تجزیه تحلیلِ شخصیتهای زن اصلی داستانها در چهار عنصر مختلف از دیدگاه فمینیست ی و روایتگری بردهداری نوین، براساس مطالعات کتابخانهای مورد مطالعه قرار میدهد. علیرغم وجود تفاوتها در سبک نوشتاری و شیوه داستانپردازی، ابتدا زن به عنوان موجودی منفعل، مطیع مرد و فرهنگ غالب ترسیم می شود، سپس شخصیتهای زن در دو رمان منتخب، برخلاف جایگاه حاکم برجامعه، قوی و مصمم به نظر میرسند و به دلیل توانایی و مقاومتی که دارند، شخصیتهای زن میتوانند خویشتن و موقعیت ویژه خود را بیایند. نتایج نشان میدهد که لایههای اجتماعی و فرهنگی استعماری/پسااستعماری، پنهان/آشکار، در کنار با تضاد فمینیستی در مورد تجسم تجربه در نئوبردگی، میتواند بر تلاقی روایتهای نوبردهداری در رمانها تأثیر بگذارد. | ||
کلیدواژهها | ||
جنسیت؛ هویت؛ فرهنگ؛ روایت نئوبردگی؛ فمینیسم | ||
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مراجع | ||
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