جستجوی هویت فرهنگی در نمایشنامه‌ « جو ترنر آمد و رفت » اثر آگوست ویلسون: رویکردی جامعه شناختی

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Cherry, James (2016), Review of August Wilson’s Pittsburgh Cycle: Critical Perspectives on the Plays, by Sandra Shannon, The Journal of American Drama and Theatre, Vol. 29, Issue 1, https://jadtjournal.org/2016/12/23/august-wilsons-pittsburgh-cycle/.

Gayathri, N. and T. Alagarasan (2016), Probing into the Psyche of Subalterns in August Wilson’s Joe Turner’s Come and Gone, International Journal of Arts, Humanities, Literature and Science, Vol. 1, Issue 1, pp. 30-38, http://www.ijahls.com. Harry J. and Jr. Elam (2007), Teaching Joe Turner’s Come and Gone, Modern Drama, Vol. 50, Issue 4, pp. 582-600, https://doi.org/10.3138/md.50.4.582.

Jones, Betina (2011), This Is Me Right Here: August Wilson and Pittsburgh’s Hill District, PhD Diss., Duquesne University, https://dsc.duq.edu/etd.

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Otu, Oyeh O (2015), Racial Identity and Modern-Day Slavery in August Wilson’s Gem of the Ocean, Joe Turner’s Come and Gone, and Ma Rainey’s Black Bottom, An International Journal of Language, Literature and Gender Studies, Vol. 4, Issue 1, pp. 102-118, http://dx.doi.org/.

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Seda, Owen (2020), Redemptive Apotheosis and Joseph Campbell’s Narrative of the Hero’s Journey: August Wilson’s Joe Turner’s Come and Gone Revisited, https://upjournals.co.za/index.php/Imbizo/article/view/6593.

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Williams, Kimmika (2014), No One Size Fits All: Womanhood, Feminism, and Female Archetypes in August Wilson’s Joe Turner’s Come and Gone, Making Connections: Interdisciplinary Approaches to Cultural Diversity, Vol. 15, Issue 2, pp. 3-17, https://makingconnectionsjournal.org/doi/abs/10.5555/maco.15.2.y17jhl51241618j7.

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