شنیدن رنگی (مطالعه پیرامون حس آمیزی و فرایند ترکیب حواس)

Abbado, A (1988), Perceptual correspondences of abstract animation and synthetic sound, MIT Masters Thesis.

Baron-Cohen, S (1994), Synaesthesia: an account of colored hearing, Leonardo, 27 (4), pp.343-346.

Brown, R (2014), Consciousness Inside and Out: Phenominology Neuroscience, and the Nature of Experience, Springer, Netherlands.

Calvert, G; Spence, C & Stein, B. E (2004), The Handbook of Multisensory Processes, MIT Press, Cambridge.

Cavallaro, D (2013), Synesthesia and the arts, McFarland & Company, USA.

Collopy, F (2000), Color, Form, and Motion: Dimensions of a Musical Art of Light, Leonardo, 33(5), pp.355-360.

Collopy, F (2009), Playing (with) Color, Glimpse, Vol. 2, Issue 3, pp.62-67.

Collopy, F; Fuhrer, R. M & Jameson, D (1999), Visual Music in a Visual Programming Language, IEEE Symposium on Visual Languages, Tokyo, Japan, pp.111-118.

Cytowic, R. E (2002), Synaesthesia: a union of the senses, 2nd edition, MIT Press, Cambridge, MA.

Cytowic, R. E & Eagleman, M (2009), Wednesday is Indigo Blue: Discovering the Brain of synesthesia, MIT Press, Cambridge.

Daniels, D (2004), sound & vision in avantgarde & mainstream, www.medienkunstnetz.de/theme/image-sound_relations/sound_vision/     2016-03-18.

Deutsch, P.G (2012), Synaesthesia and synergy in art, Gustav Mahler’s “Symphony No. 2 in C minor” as an example of interactive music visualization, Sensory Perception: Mind and Matter, F. G. Barth; P. G. Deutsch; & H. D. Klien (eds.), Springer-Verlag, Wien.

Fichner-Rathus, L (2011), Foundations of Art and Design, Wadsworth Publishing, USA.

Halliday, S (2013), Sound Modernity, Edinburg University Press, UK.

Haverkamp, M (2009), Look at that sound! Visual aspects of auditory perception, Proceeding of the third international Congress “synesthesia: Science and Art”, Granada, Spain.

Haverkamp, M (2010), Visualizing auditory perception: correlations, concepts, synesthesia, Proceedings of Galeyev Readings, Prometheus-Center, Kazan, Russia, October 2-5.

Haverkamp, M (2013), Synesthetic design: Handbook for a Multi-sensory Approach, Birkhauser, Germany.

Kandinsky, W (2001 [1911]), Concerning the Spiritual in Art, A. Glew (ed), MFA Publications, Tate Publishing, London  & New York.

Keefer, C (2015), Visual music’s influence on contemporary abstraction, Abstract Video, Gabrielle Jennings (ed.), University of California Press.

Lauer, D. A & Pentak, S (2011), Design Basics, 8th edition, Wadsworth Publishing, USA.

Marinetti, F. T & Fillia, L. E. C (1930), Manifesto della cucina futurista, Gazzetta del Popolo, Torino, December 28th.

McCabe, M. L (2010), Color and sound: Synaesthesia at the crossroads of music and science, Dissertation, University of Florida.

Prampolini, E (1913), Gazzetta Ferrarese, Ferrara, Italy, August 26th.

Ramachandran, V. S & Hubbard, E. M (2001), Psychophysical investigations into the neural basis of synaesthesia, Proc. R. Soc. Lond. B., 268, pp.979-983.

Repp, B. H (1992), Music as motion: a Synopsis of Alexander Truslit’s (1938) Gestaltung und Bewegung in der Musik, Haskins Laboratories Status Report on Speech Research, SR_ 111/112, pp.266-269.

Rogowska, A. M (2015), Synesthesia and Individual Differences, Cambridge University Press, Cambridge.

Simner, J (2006), Beyond perception: synaesthesia as a psycholinguistic phenomenon, Trends in Cognitive Sciences, 11(1), pp.23-29.